Words First: Talking Text in Opera
Keturah Stickann
Conversations between host, Keturah Stickann, and librettists, lyricists, producers, and performing artists about opera text and storytelling to music.
Kate Holland, Susan Werbe, and Sifting Through The Great WarJuly 04, 2022
Eric Einhorn and Letting The Space Dictate the ShowJune 20, 2022
Matthew Jocelyn and How to be Undaunted by HamletJune 06, 2022
Deborah Brevoort and her Journey from Politics to TheaterMarch 21, 2022
Amy Stebbins and New Work Both Here and ThereFebruary 28, 2022
Catherine Filloux and Writing Social JusticeFebruary 14, 2022
Jennifer Cresswell and Kathleen Kelly on Writing Real WomenJanuary 31, 2022
Max Hoehn and Opera21January 17, 2022
Marella Martin Koch and the Genesis of DoloresJanuary 03, 2022
The Decameron Opera Coalition and the “Heroes” ProjectDecember 20, 2021
Taura Stinson and The Meaning Beyond The RhymeNovember 29, 2021
Rinde Eckert and Changing Up the WallpaperNovember 15, 2021
Deborah Burton and the Librettists of PucciniNovember 01, 2021
Douglas Kearney and Poetry Both Seen and HeardOctober 18, 2021
Tony Asaro and The Path To OperaOctober 04, 2021
Amanda Quaid and Adapting The ExtinctionistSeptember 20, 2021
Karen Chilton and the Kaleidoscopic CareerSeptember 07, 2021
Nicolas Reveles and Writing TraumaAugust 23, 2021
Rachel J. Peters asks “Where Are the Women?”August 09, 2021
Crystal Manich, Ned Canty, Joseph Mechavich, and The Sounds That Move UsMay 31, 2021
Aliana de la Guardia and Geovonday Jones discuss Guerilla Opera’s Libretto Writing WorkshopMay 24, 2021
Talking Diction with Stefano de Peppo and Kathryn LaBouffMay 17, 2021
Jacqueline Goldfinger and Alexandra Deshorties May 03, 2021
Lynn Nottage, William Burden, Poetry, Music, and Self-AdaptationApril 26, 2021
Anthony Barrese and the Librettists of RossiniApril 19, 2021
Eric Einhorn and Letting The Space Dictate the ShowJune 20, 2022
Matthew Jocelyn and How to be Undaunted by HamletJune 06, 2022
Deborah Brevoort and her Journey from Politics to TheaterMarch 21, 2022
Amy Stebbins and New Work Both Here and ThereFebruary 28, 2022
Catherine Filloux and Writing Social JusticeFebruary 14, 2022
Jennifer Cresswell and Kathleen Kelly on Writing Real WomenJanuary 31, 2022
Max Hoehn and Opera21January 17, 2022
Marella Martin Koch and the Genesis of DoloresJanuary 03, 2022
The Decameron Opera Coalition and the “Heroes” ProjectDecember 20, 2021
Taura Stinson and The Meaning Beyond The RhymeNovember 29, 2021
Rinde Eckert and Changing Up the WallpaperNovember 15, 2021
Deborah Burton and the Librettists of PucciniNovember 01, 2021
Douglas Kearney and Poetry Both Seen and HeardOctober 18, 2021
Tony Asaro and The Path To OperaOctober 04, 2021
Amanda Quaid and Adapting The ExtinctionistSeptember 20, 2021
Karen Chilton and the Kaleidoscopic CareerSeptember 07, 2021
Nicolas Reveles and Writing TraumaAugust 23, 2021
Rachel J. Peters asks “Where Are the Women?”August 09, 2021
Crystal Manich, Ned Canty, Joseph Mechavich, and The Sounds That Move UsMay 31, 2021
Aliana de la Guardia and Geovonday Jones discuss Guerilla Opera’s Libretto Writing WorkshopMay 24, 2021
Talking Diction with Stefano de Peppo and Kathryn LaBouffMay 17, 2021
Jacqueline Goldfinger and Alexandra Deshorties May 03, 2021
Lynn Nottage, William Burden, Poetry, Music, and Self-AdaptationApril 26, 2021
Anthony Barrese and the Librettists of RossiniApril 19, 2021